European curator 2018
Creart Network selects the croatian curator Branka Bencic, as curator of the European Exhibition 2018, Six Memos, that will travel around Valladolid (Spain), Liverpool (UK) and Lublin (Poland)
The members of the CreArt Network have recently appointed the Croatian curator Branka Benčić, as European curator of the CreArt Exhibition 2018, Six Memos, that will be presented from May next year in Valladolid (Spain), Liverpool (UK), and Lublin (Poland). During this month all the CreArt cities will open calls for the selection of artists and then, the European curator, Branka Benčić will make the final shortlist of artists and projects that better fit with the concept proposed „Six Memos“. The exhibition will builds up around six concepts - Lightness, Quickness, Exactitude, Visibility, Multiplicity and Consistency, seen as a thread of literary heritage, memory, culture, ideas…based in the eponymous collection of (five) essays, a last, unfinished and posthumous book by Italian novelist Italo Calvino.
Branka Benčić is an independent curator and art historian based in Croatia. Over the past decade she has curated group exhibitions, artists solo projects and film screenings in Croatia and internationally, lectured and published on contemporary art in exhibition catalogues, journals and books. Her basic research, writing and curatorial interests are focused on contemporary art, exhibiting film and video, exhibition histories in former Yugoslavia. She is the curator of the exhibition "Horizion of Expectations" - Croatian Pavilion at the 57th Biennale di Venezia (2017) and besides curatorial projects as an independent curator is currently involved with several ongoing projects and initiatives: Artistic director at Apoteka – Space for Contemporary Art, Founder and Curator at Cinemaniac –Think Film exhibiting and research project at Pula Film Festival and curator of Artists Cinema, screening program series taking place at the Museum of Contemporary Art, Zagreb.
Selected exhibitions include: PROJECTIONS Antun Motika and the legacy of experiments (MMSU, Museum of Modern and Contemporary Art, Rijeka, 2017); Great Undoing, 54th Annale (2015); Temporary Encounters – This is (not) a Museum (exhibition series, Apoteka – Space for contemporary Art, 2014 – ); Motovun 1976 video meeting (MMC Luka Pula, 2015); Parcour (gallery Forum, Zagreb, 2015); Damir Očko: Studies on Shivering (KM – Kunstlerhaus, Halle fur Kunst und Medien, Graz, 2014); Think Film (MMC Luka, Pula, 2013).
CreArt European Exhibition 2018 Six Memos
Five essays bearing titles - Lightness, Quickness, Exactitude, Visibility, Multiplicity (sixth – Consistency, only planned and projected, due to author’s death) represent conceptual trajectories in order to understand the continuing transformations in the world and mainly through literature and language, Calvino’s main interests, but it can be understood further reflecting ideas in art, society and culture. 30 years after publishing, as a reality check, we can reflect on Calvino’s legacy of Six Memos, as a possible future projection and a look back on a common heritage, imagination, humanity and civilization.
The exhibition builds up around six concepts - Lightness, Quickness, Exactitude, Visibility, Multiplicity and Consistency, seen as a thread of literary heritage, memory, culture, ideas. It is questioning the idea what the future might hold for “the expressive, cognitive, and imaginative possibilities” of language and literature. Six concepts Calvino establishes is a series of values, universal, as legacy of past and future generations. Therefore Quickness, Exactitude, Visibility, Multiplicity and Consistency - are the frameworks seen today also in contemporary art practices, engaging with different topics from material conditions, institutional critique, visionary ideas, and social and cultural issues. It is the polyphony of the field of art and its complex structure that is the place of forming different constellations, reflecting the epistemological multiplicity of the world and the changing contours of different cultural contexts. Authentic picture of the world, Calvino claims, is not homogenous, it incorporates an intricate network of relationships between people, objects and events. His definitions are not fixed - weight becomes lightness, slowness speed… Some values cross over with ease from time to time, some remain as ruins. Calvino examines different values by shifting our perspective and making life’s burdens bearable.
The exhibition is not shaped to form a linear narrative that depicts certain content, but a fragmented structure that creates a series of interrelationships and gaps as a context that outlines the "intent" of the as a temporary environment. The works of selected artists point to fractures and potentialities shaped by ideas of Quickness, Exactitude, Visibility, Multiplicity and Consistency.
Believing in the future of art Calvino highlights its utopian potential. His “memos” are relevant today, well into the new millennium he didn’t live to see, when some of our gravest fears and some of our greatest hopes have emerged and became visible.
How to place values from the past in the present, and project them into the future? My confidence in the future of literature consists in the knowledge that there are things that only literature can give us, by means specific to it.
His memos, notes, questions, anxieties and anticipations, and the possibilities of imagination are going to be explored in the proposed exhibition through the works of contemporary artists. (B. B.)
